sunburned artists

Posted by Jenine Shaban Kotob on October 3, 2011
Oct 032011

In response to Jack Persekian’s work, I wondered how far the limits of expression could go in retaliation against injustices without leading to action taken against the artist. I stumbled across the work of artist, JR, who is the recent winner of the TED prize 2011. In the following video, you can see the different areas of the world where JR installs extremely large photographs of people on buildings, houses, roofs, etc. These images portray the very essence of what it means to be human, even in spite of the destruction that surrounds us. In the case of Israel and Palestine – JR put images of Israelis and Palestinians side by side, highlighting the similarities between the two people, rather than constantly showing the differences and each groups individual plight.

JR explains the ease of placing the images in Jerusalem and along the separation wall: “…And you know what, we thought that we would be kidnapped, that we would be arrested, that we would be evicted, and we just came back with sunburns!”

The artwork makes a statement, but does not attack any group or affiliation.

JR – 28 millimeters project – TEDprize winner

Oct 022011
Precarious times for artistic expression

Jack Persekian’s dismissal as director of the Sharjah Art Foundation following an exhibition that the government and community viewed was an attack on Islam and the community is another pointer to artistic expression under attack. In her blog post, Christine Donley reports, “The dismissal reportedly centers around a work by Algerian Artist Mustapha Benfodil. It has No Importance featured headless mannequins in soccer uniforms staged in a parody of a football match, that incorporated texts from stories, folk songs, jokes, urban legends, and graffiti culled from Algerian popular culture. Before the work was removed, it was on display in a CONTINUE…

Oct 022011
censorship vs freedom of speech

Jack Persekian’s controversial work as curator for the Sharjah Art Foundation has stirred conversation in the international art community and has received extreme reactions from the Sharjah government. On one hand Persekian has served the artistic community by fostering an environment that allows for freedom of expression using art as a medium. On the other hand, the collected art also led to the removal of Persekian from his position as head curator for the Foundation. One specific piece called It has no Importance by Algerian artist Mustapha Benfodil, was seen as the “straw that broke the camels back” – because CONTINUE…